On April 7, the City of Hillsboro (and baseball fans from all over the region) celebrated the season-opening game at the brand-new Hops Ballpark. Mayer/Reed’s site design for the cutting-edge minor league baseball stadium contributes to the fun with a variety of open spaces for taking in a game. In addition to hosting Hops baseball, the stadium will provide a 7,000-person capacity venue for year-round concerts, festivals and events. Architecture by CannonDesign and Populous.
Detail: Great Blue Heron, 2026 Gold Key regional award winner, Scholastic Art & Writing Awards
Our rotating art gallery recently featured the energetic work of Delphina Seeger, a student at Ida B. Wells High School and daughter of our marketing manager.
Selected from Delphina’s junior year AP art portfolio, four oil paintings featuring a coyote, great blue heron, river otters and mallard ducks each portray a delightful scene from the ecosystems of our region. Her technique explores color and stylization through animal subjects. “I used vibrant underpaintings,” she shares, “and experimented with naturalistic and expressive color palettes.”
Detail of bright pink underpainting technique
Delphina will attend Oregon State University this fall, majoring in zoology with a minor in studio art.
Flanking the west wing of the Oregon State Capitol, the four-acre Willson Park has been an important green space in Salem, Oregon, since the original Capitol was built in 1854. Now, the park will receive a much-needed renovation as the final phase of intensive improvements at the Capitol building and grounds. Construction at the park has begun with completion expected later in 2026.
Mayer/Reed’s design for Willson Park improves accessibility and circulation and unifies park elements. The new design reimagines the long-defunct Waite Memorial Fountain as a central memorial garden with a two-tiered granite seat wall. The Walk of Flags monument is repositioned along the updated central loop pathway, better connecting the Capitol to the existing World War II and Vietnam War veterans memorials at the park edges.
Our in-studio gallery recently featured the three-dimensional work of Mayer/Reed Landscape Architect and Associate Anne Samuel. The suspended installation plays with light, shadow and subtle movement.
Composed of found materials, the untitled piece uses red acrylic, painted wood, monofilament and small beads in a study of balance and luminosity. A scrap of acrylic led to this exploration of possibility. “I wondered what I could make out of it,” Anne reflects. “I was most interested to see how the light cast on the wall would become part of the art, moving throughout the day with changing light conditions.”
Anne’s artistic pursuits have long embraced the act of making and building, spanning beading, jewelry, sculpture and furniture. Unconcerned with assigning meaning to her creations, she is guided instead by material curiosity and the physical process of formation. With training in theater and physics before earning her Master of Landscape Architecture, she is an artist equally attuned to art and science. “I am constantly trying something new in my art,” she says, “often dictated by a self-imposed challenge to create with the materials at hand.” A palette limited to cast-off materials makes the process more intriguing to Anne and reflects her commitment to sustainable design.