Carol Mayer-Reed examines Portland’s lively food cart culture and its relationship to urban vitality in “Portland’s Street Food Phenomenon,” published in the May issue of ASLA’s blog, The Dirt. “The carts, which also form food cart pods, make a positive, colorful contribution to the city’s sense of livability, promote social interaction, and support small businesses. After all, the presence of people gathering in places attracts more people.”
Cast earth, twisted rail, stone and water. Let’s talk about public art along the new Portland-Milwaukie Light Rail line: All of the pieces going in are amazing – some inspiring delight and wonder, others providing pause for contemplation. That’s how art should be.
As we’ve designed public spaces along the line, Mayer/Reed has worked to integrate several art pieces into the design, adding a unique flavor to each station. You’ll get a chance to learn about the art along the entire alignment and hear from a few of the artists on April 17 at TriMet’s TriMet’s Transit On Tap, their series of free public talks held at brewpubs. Sponsored by Mayer/Reed, this event will be at Ford Food and Drink. See you there!
7 women. 7 minutes. 21 slides. On March 11, AIA ForWARD hosted Fast Forward, a night of Pecha Kucha style presentations on the theme, “Women Acting Sustainably.” My presentation, “Sustaining the Human Race Through Physical Activity” focused on inspiring people to see themselves as resources worthy of investment—active bodies lead to productive adults that, in turn, can fuel our economy and protect our environment.
I challenged the Portland design community attendees to consider ways to fold physical activity into the way we conduct business and in the spaces we design. I discussed our recent projects, the Outdoor Adventure at the Portland Children’s Museum, a fitness circuit course, and the Darlene Hooley Pedestrian Bridge as examples of spaces designed for movement. The Mayer/Reed designers behind these projects are committed to living physically active lives. We encouraged the audience to have a little fun, stand up and push the boundaries of social norms by participating in a set of exercises during the presentation.At the close of all 7 presentations, I was intrigued that many of the speakers focused on the social side of sustainability rather than on green building techniques. It made me proud to belong to a community in which environmentally sustainable design is already considered best practice and we can push ourselves to consider even more.
A giant bird’s nest? Bottle shaped houses? Wind swept fantasy villages? When were you presented with the opportunity to work on a truly unique creation by an artist you have admired for many years? For me, this dream recently began to unfold.
In the freezing temperatures of the early winter morning, I met Patrick Dougherty, the internationally acclaimed sculptor of Stickwork. Patrick arrived at the Portland Children’s Museum to meet with museum staff and Mayer/Reed designers to brainstorm an installation at the Outdoor Adventure, a new nature-play exhibit.
Opening on Earth Day, the Outdoor Adventure grounds will push forth a bounty of colorful new plantings, flowing streams and play opportunities, followed in June by Patrick’s burst of creative energy and artful vision. Under his masterful guidance, tons of Pacific Northwest native saplings will be twisted and woven into a temporary expression by a team of volunteers. Portland will have its own Stickwork creation to be experienced by kids of all ages.
For those of us in the design professions, we find ourselves on occasion in the presence of masters: masters of exceptional vision, interpretation, and artful expression. For me, Patrick Dougherty is one such master. After more than a decade of admiring his creations of whimsy colliding with nature, I will now have the chance to experience first-hand his unique interpretation of humor, habitat and history. Sweet!